A touching fairy tale about a shoe and love
CINDERELLA
Ballet in two acts
Libretto - Nikolay Volkov, based on the fairy tale by Charles Perrault
Music - Sergey Prokofiev
Choreography - Rostislav Zakharov
Premiere - November 11, 1945, Bolshoi Theatre, Moscow
The best stories for ballet are fairy tales. They have everything: different characters, palaces, balls, magical transformations, an exciting plot and the struggle between good and evil, where, of course, good wins.
“Cinderella” by Charles Perrault fits perfectly into the language of classical choreography, especially when it is accompanied by the brilliant music of Sergei Prokofiev. This old tale of lost shoe, with roots going back to Ancient Egypt and China, has over 700 versions. It attracted composers many times.
Sergei Sergeevich, after the success of “Romeo and Juliet”, decided to create a ballet specifically for Galina Ulanova and chose the familiar story about a poor girl who, with the help of a fairy godmother, goes to a ball, meets a prince and finds happiness.
The process of creating of the ballet stopped because of The Second World War. Prokofiev worked on a patriotic opera "War and Peace" and only a few years later finished what he started. The premiere was held at the Bolshoi Theatre in November 1945 with great success, it became a kind of anthem of the Victory and was awarded by the Stalin Prize. For Sergei Prokofiev, this award was the fourth.
“Cinderella” by Charles Perrault fits perfectly into the language of classical choreography, especially when it is accompanied by the brilliant music of Sergei Prokofiev. This old tale of lost shoe, with roots going back to Ancient Egypt and China, has over 700 versions. It attracted composers many times.
Sergei Sergeevich, after the success of “Romeo and Juliet”, decided to create a ballet specifically for Galina Ulanova and chose the familiar story about a poor girl who, with the help of a fairy godmother, goes to a ball, meets a prince and finds happiness.
The process of creating of the ballet stopped because of The Second World War. Prokofiev worked on a patriotic opera "War and Peace" and only a few years later finished what he started. The premiere was held at the Bolshoi Theatre in November 1945 with great success, it became a kind of anthem of the Victory and was awarded by the Stalin Prize. For Sergei Prokofiev, this award was the fourth.
“The main thing that I wanted to convey in my music is the poetic love of Cinderella and the Prince, the birth and flowering of feelings, obstacles on their path, the realization of a dream,” the composer said. “I wrote Cinderella in the tradition of the old classical ballet. Each character has its own variation."
The ballet is performed on many stages of the world. One of the first well-known productions was Frederick Ashton's in London, where the ugly sisters and stepmother were performed by men. In 1987, Rudolf Nureyev introduced his production of Cinderella to the French public at the Paris Opera. Modern choreographers also do not leave ballet unattended.
For our theatre, this fairy tale by Charles Perrault is one of the most beloved. We present “Cinderella” in all her sweet splendor: classical pas in Cinderella's poor house, enthusiastic waltzes at the prince's ball, dances of the nations, magical transformations with the help of the fairy godmother and the futile attempts of stepmother and mischievous sisters to pull that shoe on their feet. By the way, the role of stepmother in our theatre is traditionally performed by a man, which invariably causes additional delight among the audience.
The ballet is performed on many stages of the world. One of the first well-known productions was Frederick Ashton's in London, where the ugly sisters and stepmother were performed by men. In 1987, Rudolf Nureyev introduced his production of Cinderella to the French public at the Paris Opera. Modern choreographers also do not leave ballet unattended.
For our theatre, this fairy tale by Charles Perrault is one of the most beloved. We present “Cinderella” in all her sweet splendor: classical pas in Cinderella's poor house, enthusiastic waltzes at the prince's ball, dances of the nations, magical transformations with the help of the fairy godmother and the futile attempts of stepmother and mischievous sisters to pull that shoe on their feet. By the way, the role of stepmother in our theatre is traditionally performed by a man, which invariably causes additional delight among the audience.
Summary
The dance master invites Cinderella’s stepmother and her two daughters to the prince's ball, Cinderella herself is sad and stays to clean the house. The fairy godmother wants to help her and with the help of her friends, the fairies of the seasons, gives Cinderella a beautiful dress and shoes, after that she sends her to the ball, but warns that she must return at midnight. Cinderella shines at the ball and runs away, as she was told, losing her shoe. The prince in love searches for the girl all over the world, but finds her in his kingdom: stepmother and sisters get angry, and the couple performs the dance of first love.
Synopsis
Act 1
A room in Cinderella's father's house. It's evening. Two girls are embroidering a silk scarf. These Cinderella's stepsisters. Stepmother doesn’t like Cinderella and forces her to do all the dirty work around the house alone. The embroidery does not last long - a quarrel arises between the sisters because a scarf. The sisters, dancing, tease the silent Cinderella. Outside the window, the sunset fades. Everyone leaves. Cinderella is left alone. She takes on her usual job of cleaning the room.
A room in Cinderella's father's house. It's evening. Two girls are embroidering a silk scarf. These Cinderella's stepsisters. Stepmother doesn’t like Cinderella and forces her to do all the dirty work around the house alone. The embroidery does not last long - a quarrel arises between the sisters because a scarf. The sisters, dancing, tease the silent Cinderella. Outside the window, the sunset fades. Everyone leaves. Cinderella is left alone. She takes on her usual job of cleaning the room.
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